And she is working on new music along with an array of other projects that promise to obliterate old boundaries and vault her further into uncharted territory. The iconic couple has just been named the new faces of Tiffany & Co., which was acquired earlier this year by LVMH and is relaunching under its auspices. She is now a mother of three, to nine-year-old Blue Ivy and four-year-old twins Rumi and Sir, with husband JAY-Z. She has built her company, Parkwood Entertainment, into a media conglomerate that includes a fashion line, IVY PARK.
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It could be a destabilizing force there’s your voice as you think it sounds, and then your voice when it comes back to you, after you’ve hit Record.īeyoncé Knowles-Carter came of age during that digital revolution, and knowing how to navigate that dissonance is part of her artistic superpower. Her generation was the first to regularly experience the dizzying accuracy of playback. The girls before her had mirrors and the echoes of the trees and magazines with cartoon approximations to reflect themselves.
Beyoncé’s childhood coincided with the rise of home-recording equipment-video cameras, stereo systems that let you record your own voice, keyboards that let you find whatever sound you wanted, personal computers to synthesize it all. Women born at the dawn of the 1980s were among the last generation to live an analog life and the first to see themselves reimagined in digital.
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